I embrace you,
dear shadow,
my revelatory
friend,
dear suicidal
impulse; today
I dream of the
parapets above
A la Vielle Russie, and
of splattering
near the Plaza
where Woody Allen
wooed young girls,
leaving a bit
of me
on the Strand
Bookstand,
near the park
and the seals —
but this is too
vibrant and real.
Better to find
myself alone
in a porcelain
tub
with chamomile
bath oil
(as if I needed
to be calm;
here is
eternity for that),
listening to
Verdi’s Requiem,
holding a
razor,
or better
still, to poison myself
with small
scored rose pills,
avoiding
arsenic and the Bovary traps
of indigestion,
detection;
best with
caplets, red carafes of wine,
or Guinness
brew —
(who wouldn’t
want to quaff a few?)
What catharsis
there is
in the dive,
the gesture, the infinite jest,
the slash, the
brush (its own fire),
the dance with
death?
Ah, this:
as I flirt, you draw near,
chingon to my chingada
bite my ear,
stop my breath—
who else could
do that?
Dear friend of
ferment,
who unearths
the worms
that enrich
this blissful human soil,
promising the
end of eternal roil:
Te quiero, my Mescal, my absinthe,
my blue
cyanosing corps, my Mayakovsky, my you. . .
Was this a mistake? Is it too late . . . ?
You bite my
ear, take up my rear, whisper:
Yes.
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