Friday, March 20, 2015
I am pleased to be on two exciting panels at the AWP Conference at the Minneapolis Convention Center. Please be sure to join us!
Daughters of Baba Yaga: The Eastern European Woman Poet in the United States
Moderator: Larissa Shmailo
With Katia Kapovich, Irina Mashinski, Gloria Mindock, Annie Pluto
Date/Time: Thursday, April 9, 4:30 to 5:45 pm
Room 205 C&D Level 2
From Pushkin to Pussy Riot: Poetics and Politics of Translating Russian Poetry
Moderator: Phil Metres
With Larissa Shmailo, Alex Cigale, Matvei Yankelevich
Date/Time: Saturday, April 11, 1:30 to 2:45pm
Room 205 C&D, Level 2
Monday, March 09, 2015
By WordMothers ¶ Posted in Fiction, Interviews with Editors, Interviews with Writers, Performance, Poetry, Poetry ¶ Tagged american literature, fiction, libretto, novel, poems, poet, poet interview, poetry, russian literature, screenplay, screenwriting, translation, translator ¶ Leave a comment
Interview by Nicole Melanson ~
Interview with writer Larissa Shmailo by Nicole Melanson - photo by Joel Simpson
Larissa Shmailo is editor-in-chief of the anthology Twenty-first Century Russian Poetry (Big Bridge Press), poetry editor for MadHat Annual, and founder of The Feminist Poets in Low-Cut Blouses. She translated Victory over the Sun for the Los Angeles County Museum of Art’s celebrated reconstruction of the first Futurist opera; the libretto is now available from Červená Barva Press. Larissa has also been a translator on the Russian Bible for the Eugene A. Nida Institute for Biblical Scholarship of the American Bible Society.
Larissa’s poetry collections are #specialcharacters (Unlikely Books), In Paran (BlazeVOX [books]), A Cure for Suicide (Červená Barva Press), and Fib Sequence (Argotist Ebooks). Her poetry CDs are The No-Net World and Exorcism (SongCrew); tracks are available from Spotify, iTunes, Muze, and Amazon. Larissa won the New Century Awards for jazz, rock, electronica and best album for Exorcism. Her novel, Patient Women, is forthcoming from BlazeVOX [books].
Larissa Shmailo’s website www.larissashmailo.com
WHEN DID YOU START WRITING?
As a writer, capital W, at age 36. I was welcomed immediately into the New York City open mike circuit as a poet and a performer, and began getting wonderful features right away. Editors asked me for my work, which was thrilling.
WHAT IS YOUR LATEST BOOK OR CURRENT PROJECT?
My translation of the first Futurist opera, Victory over the Sun by Aleksei Kruchenych, which I did for the Los Angeles County Museum of Art and which has been performed and studied all over the world, is in print: Larissa Shmailo’s translation of Victory over the Sun.
Says Gerald Janacek of my translation:
< Victory over the Sun, one of the most important events in Russian Futurism and in the avant-garde in general, is not well recognized in the West. Now in a new edition of Larissa Shmailo’s brilliant translation of the text, with a lively introduction by Eugene Ostashevsky, readers can appreciate the significance and innovativeness of the 1913 play. Using Shmailo’s translation and Malevich’s pathbreaking stage designs, the play was reconstructed and staged in 1980 to great acclaim and remains a signal accomplishment in the history of the avant-garde.
—Gerald Janecek, Author of Zaum: The Transrational Poetry of Russian Futurism (UCSD, 1996) and Sight and Sound Entwined (Berghahn Books, 2000)
We are restaging the opera with music and choreography at Boston University April 23.
Writer Larissa Shmailo Translated Libretto - Victory over the Sun
Translated libretto of Victory over the Sun
WHAT IS YOUR WORK ENVIRONMENT LIKE?
It is my dining room table and is surrounded by bookshelves. It is usually untidy.
WHEN DO YOU WORK? WHAT DOES A TYPICAL DAY LOOK LIKE?
I have my own business, Scribes Media, for writing, editorial, and translation services, and there is no typical day – I eat what I catch. I tend to work on my own literary projects in the A.M. and late afternoon/evenings.
WHAT IS YOUR WRITING PROCESS?
I sit down at the computer and start to type. Occasionally, I bring ideas there that I get lying on the couch, but my substantive writing is done by engaging the blank page. I usually complete poems in one sitting and have a bad habit of polishing the beginning of unfinished novels and screenplays instead of forging on. I procrastinate mightily on reviews.
WHO OR WHAT INSPIRES YOU?
I am inspired by my brilliant mentor, Annie Finch. A brilliant, creative, loving individual who has taught me volumes about poetry.
I mine my own story for dark poems and prose, I listen for strange juxtapositions, things that ordinarily wouldn’t mix. I also gratefully accept prompts and commissions.
WHAT IS THE HARDEST PART OF WHAT YOU DO?
Managing my time, which I waste in buckets, but it relaxes me so to be a little time drunk. I need a lot of silence, time without television or books or word processors, but I also have a passionate need to write my screenplay, so I am conflicted.
WHAT IS YOUR ARTISTIC VISION?
I am grateful that my debut novel, Patient Women, is being published by BlazeVOX [books] and would like to write a historical novel entitled Dora, based on my parents’ experience interned in the Dora Northausen concentration camp. I also am writing a screenplay which I’d like to see made into a film. I’d like to see more communities for women like WordMothers, especially writing groups where work is shared with female peers.
WHO ARE YOUR FAVORITE FEMALE AUTHORS?
Annie Finch, Charlotte Bronte, Jane Austen, Edna St. Vincent Millay, Emily Dickenson, Anne Elliott
WHICH FEMALE AUTHORS WOULD YOU LIKE TO SEE INTERVIEWED ON WORDMOTHERS NEXT?
Annie Finch, Anne Elliott, and Joani Reese
Thank you, Larissa Shmailo!
— Nicole Melanson
* Author photo by Joel Simpson
Saturday, March 07, 2015
1. David Lehman, Translations of Vladimir Mayakovsky and new original poems
2. Ilya Bernstein, New book of translations of Osip Mandelstam
3. Readings of poems inspired by Victory over the Sun by Alexander Cigale, Elizabeth L. Hodges, Andrey Gritsman, Irina Mashinski, Misha Semenov
4. A staged reading of Action 1, Scene 1 from Larissa Shmailo's translation of Victory over the Sun (Cervena Barva Press) with Bob Holman, Alexander Cigale, Larissa Shmailo, and Misha Semenov with original music composed by Finnish composer Jukka-Pekka Kervinen based on Mikhail Matiushin's partially lost score for the original 1913 production.
Cornelia Street Cafe
29 Cornelia, NYC
Wed 3/11 6:00 pm
Friday, February 13, 2015
Victory over the Sun, Futurism, and Russian Silver Age Poetry in Translation
Intercultural Poetry hosted by Andrey Gritsman
Cornelia Street Café
29 Cornelia Street
Wednesday, March 11, 2015
6:00 pm – 7:45 pm
New York City. Iconoclastic Russian theater and poetry of the Russian Silver age will be celebrated at the Cornelia Street Café March 11 with a star-studded program of new translations and original poetry. The event is part of the distinguished Intercultural Poetry series hosted by Andrey Gritsman, which introduces enthusiastic New York audiences to poetry from Russia, Eastern Europe, and many other cultures in stirring and fresh translation.
Noted poet David Lehman (Best American Poetry, http://www.poetryfoundation.org/bio/david-lehman) opens the bill with translations of Futurist poet Vladimir Mayakovsky and new original verse. Poet and translator Ilya Bernstein will then read from his new book of translations of the master Silver Age poet Osip Mandelstam (http://www.mgraphics-publishing.com/catalog/194022018/194022018.html)
The final event of the evening is a staged reading of part of Larissa Shmailo’s (www.larissashmailo.com) translation of the libretto of Victory over the Sun by Aleksei Kruchenych. Now in print from Červená Barva Press, www.thelostbookshelf.com/cervenabooks.html#Victory%20over%20the%20Sun) Shmailo’s translation was used for the Los Angeles County Museum of Art’s famous reconstruction of the opera in 1980. The libretto has been performed at the Brooklyn Academy of Music, the Smithsonian, and recently at the Garage Museum of Moscow for its retrospective of Russian performative art.
True to the “masculinity” of the original production, the Victory reading will have an all-male cast headed by renowned oral poet Bob Holman (Language Matters PBS series), series host Gritsman, National Endowment of the Art translation award winner Alex Cigale, and Compass Russian poetry translation winner Misha Semenov. The staged reading will be preceded by original poetry celebrating Russian Futurism by Gritsman, Cigale, Semenov, poet and translator and founder of the Compass Award Irina Mashinski http://www.stosvet.net/compass/ArsenyTarkovsky/Tarkovsky.html and Elizabeth Hodges, editor of the St. Petersburg Review (www.stpetersburgreview.com). Original music by Finnish composer Jukka-Pekka Kervinen (http://jukkapekkakervinen.blogspot.com based on Mikhail Matiushin's partially lost score for the original 1913 production will accompany the staged reading and poetry readings.
Thursday, February 05, 2015
Monday, February 02, 2015
Sunday, February 01, 2015
I loved you once, and this love still, it may be,
Is not extinguished fully in my soul;
But let’s no longer have this love dismay you:
To trouble you is not my wish at all.
I loved you once quite wordlessly, without hope,
Tortured shyness, jealous rage I bore.
I loved you once so gently and sincerely:
God grant another love you thus once more
Tr. L. Shmailo
Я вас любил: любовь еще, быть может,
В душе моей угасла не совсем;
Но пусть она вас больше не тревожит;
Я не хочу печалить вас ничем.
Я вас любил безмолвно, безнадежно,
То робостью, то ревностью томим;
Я вас любил так искренно, так нежно,
Как дай вам бог любимой быть другим.
Monday, January 26, 2015
Now’s my chance for rebirth, I will leave this dismal life role.
I’ll return as Queen of Sheba, or a vampire, or a reaver,
or a saint who cures the nouveau riche, a wonderous, wealthy soul.
Yes, you see, I’ve found my niche, to preach and prosper, marvelous goal!
(Pills I took just took their toll.)
Now I feel my limbs start numbing; still my brain is bright and humming:
Opiates are worth exploration, Percoset’s a true vacation.
Who’s afraid of drug addiction? Warning labels purport fiction.
Strange, my blood’s slow circulation --- what’s up with my respiration?
Is this my Death’s anticipation? Death now or imagination?
Death’s approach now, or elation?
As my last act I will vomit, weakened, I will choke upon it.
As it turns out, life is real; and death the realest part; I depart.
While I thought of death as drama, it became this final trauma:
Painful ebbing consciousness, in shit and urine, and this last fart.
Life continues always, right? Now stop this, God, I need a new start . . .
(Cause of death, attack by heart.)
Thursday, January 22, 2015
Wednesday, January 14, 2015
"Philip Nikolayev’s Embedded Sonnets: The Combinatorics of Context" published in Vol. 1 Issue 4 of Ihe Battersea Review, Winter 2015
Sunday, January 11, 2015
The presentation of Compass awards for Arseniy Tarkovsky translations will happen in conjunction with the launch of Volume 4 of Cardinal Points literary journal (presented by StoSvet Project, together with MadHat Press http://madhat-press.com/ and Russian-American Cultural Center http://www.russianamericanculture.com/ ).
This year's Compass Award Ceremony is dedicated to the memory of George Kline and Nina Cassian, both esteemed Cardinal Points friends and authors.
The poet for the 2015 contest will be announced at the Award Ceremony.
With questions concerning the event, please contact Alexander Veytsman, the Director of the Compass Award at firstname.lastname@example.org
Wednesday, January 07, 2015
Monday, January 05, 2015
Comfortable space on West 72nd near 1,2,3 trains and M5, M72, and M104 buses. March 7, 14, 21, and 28 4-6 pm; $195. Enrollment limited. Preregistration required. Call 212-712-9865.
Workshop leader Larissa Shmailo is poetry editor of MadHat Annual, editor-in-chief of Twenty-first Century Russian Poetry, and translator of the Russian Futurist opera Victory over the Sun. Her work has been published in over 100 noted journals and will appear in the new Random House anthology of metrical verse, Measure for Measure.
Sunday, January 04, 2015
- ▼ March (3)
- ► 2014 (125)
- ► 2013 (27)
- ► 2012 (32)
- ► 2008 (15)
Larissa Shmailo's poetry has appeared or is forthcoming in the Penguin anthology Words for the Wedding, the Brooklyn Rail, The Unbearables Big Book of Sex, Barrow Street, Fulcrum, Drunken Boat, Gargoyle, Cardinal Points, Lungfull, Big Bridge, Rattapallax, and About: Poetry. She was the winner of the 2009 New Century Music Awards for spoken word with music for her CD Exorcism; her first CD, The No-Net World, is heard frequently on radio and the Internet. Larissa's books of poetry are In Paran (BlazeVox) and A Cure for Suicide (Cervena Barva Press). Read her new e-book, Fib Sequence (Argotist Ebooks) at http://www.lulu.com/product/
Larissa translated the original English-language libretto of the Russian zaum opera Victory over the Sun performed at the Brooklyn Academy of Music; it is archived at the Smithsonian, the Los Angeles County Museum (LACMA), and the Museum of Modern Art (MOMA). Most recently, she received honorable mention in the international translators' competition for the 2011 Compass Award sponsored by Princeton University. Larissa translated a bibliography of Bible translations in the languages of the Russian Empire for the American Bible Society and contributed to the anthology Contemporary Russian Poetry published by Dalkey Archive Press.
Read Larissa Shmailo's new e-book, Fib Sequence, from Argotist Ebooks, FREE, at this link: http://www.lulu.com/product/
Larissa blogs at http://larissashmailo.
And buy books and CDs and digital recordings here (so gratefully appreciated):
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