Showing posts with label Amy King. Show all posts
Showing posts with label Amy King. Show all posts

Monday, May 18, 2020

AMY KING, KEVIN GALLAGHER, JOANNA SOLFRIAN AT LIT BALM MAY 23

LIT BALM is thrilled to present Amy King, Kevin Gallagher, and Joanna Solfrian plus open mic this Sat May 23 at 5:00 pm! Be sure to join us! Our question for this reading is "Which books would you take to a desert island?"
LIT BALM is a new weekly interactive livestream reading series brought to you by Jonathan Penton of Unlikely Stories Mark V and Unlikely Books, Marc Vincenz of MadHat and New American Writing (Magazine), and emcee Larissa Shmailo of the Feminist Poets in Low Cut Blouses.
Every Saturday at 5:00 pm EST.
Zoom https://us04web.zoom.us/j/461603228
Livestream at https://www.facebook.com/LitBalm
Website: www.litbalm.org
YouTube: LIT BALM


Thursday, January 10, 2019

AWP PORTLAND EVENTS

Please add my events to your AWP schedule! Both happen Thursday, March 28.

12:00 pm to 1:15 pm

Portland Ballroom 256, Oregon Convention Center, Level 2
R214. The Critical Creative: The Editor-Poet() This panel will offer an insiders' look into poetry editorship and publication from poets who edit prominent journals and presses. How do these tandem roles, poet and editor, influence one another? Do they detract from or enhance poetry publishing? Does the critical mind impede the creative mind or strengthen it? How? Are certain poetic schools favored? Where does preference end and narrowness begin? Panelists will offer real-life anecdotes and insights on poetry selection and editing.

1:30 pm to 2:45 pm

B116, Oregon Convention Center, Level 1
R223. Hybrid Sex Writing: What's Your Position?() In The History of Sexuality, Michel Foucault argues that sex was not repressed in past centuries, but codified. How does contemporary hybrid sex writing crack these codes? Is there a relationship between gender politics and hybrid writing? How does hybrid writing give voice to marginalized gender identities? What is hybrid ecstasy? Is there a special connection between transgressive sex and hybrid writing? Panelists will discuss these questions with a focus on 21st-century writers.

Friday, October 26, 2018

AWP 2019 PORTLAND PANELS

Here are my two back-to-back panels for AWP 2019 in Portland!
Thrilled to be presenting with the likes of Erica JongAmy KingCecilia Tan, Kwame Dawes, Michael AnaniaMarc VincenzThaddeus Rutkowski, and Jonathan Penton!
Thursday, March 28, 2019
12:00 pm to 1:15 pm
Portland Ballroom 256, Oregon Convention Center, Level 2
R214. The Critical Creative: The Editor-Poet. (Marc Vincenz, Larissa Shmailo, Michael Anania, Amy King, Kwame Dawes) This panel will offer an insiders' look into poetry editorship and publication from poets who edit prominent journals and presses. How do these tandem roles, poet and editor, influence one another? Do they detract from or enhance poetry publishing? Does the critical mind impede the creative mind or strengthen it? How? Are certain poetic schools favored? Where does preference end and narrowness begin? Panelists will offer real-life anecdotes and insights on poetry selection and editing.
1:30 pm to 2:45 pm
B116, Oregon Convention Center, Level 1
R223. Hybrid Sex Writing: What's Your Position?. (Larissa Shmailo, Jonathan Penton, Thaddeus Rutkowski, Cecilia Tan, Erica Jong) In The History of Sexuality, Michel Foucault argues that sex was not repressed in past centuries, but codified. How does contemporary hybrid sex writing crack these codes? Is there a relationship between gender politics and hybrid writing? How does hybrid writing give voice to marginalized gender identities? What is hybrid ecstasy? Is there a special connection between transgressive sex and hybrid writing? Panelists will discuss these questions with a focus on 21st-century writers.

Wednesday, August 01, 2018

TWO AWP PROPOSALS ACCEPTED FOR PORTLAND 2019!!!!

Spectacular news! Two AWP proposals I am participating in have been accepted for the 2019 Portland Conference! So thrilled to be moderating "Hybrid Sex Writing: What's Your Position?" with panelists Cecilia Tan, Thaddeus RutkowskiJonathan Penton, and extra-amazing special guest Erica Jong!!!!! I am also event organizer and panelist for "The Critical Creative: The Editor-Poet" with our brilliant moderator Marc Vincenz and wonderful panelists Amy King, Kwame Dawes, and Michael Anania! What incredible colleagues and what great panels! Looking forward to a brilliant literary spring in 2019!

Wednesday, January 29, 2014

NYC Launch of #specialcharacters by Larissa Shmailo



This event celebrates Larissa Shmailo's new poetry collection #specialcharacters (Unlikely Books) with readings by Amy King, Philip Nikolayev, Steve Dalachinsky, Marc Vincenz, and emcees Ron Kolm and Jonathan Penton.

About #specialcharacters:

"This is a thrilling book of femininity and magic. When it comes to capturing the intimacy of pain, Larissa Shmailo is among the most daring poets of her generation. When speaking of human rights, she is a human flame. She is subtle and provocative, fresh and out of bounds. You will fall in love here, and you will be loved right back."

—Philip Nikolayev-

"I see this work as a continuum in a long tradition of radical writing practices from Futurism, to Dada, to Oulipo, to Pussy Riot. Read it when you wish to be empowered. Read it when you wish to be entertained. Read it to rid yourself of the precious and polite."

—Elaine Equi -

"This is a major work by a major poet."

—Steve Dalachinsky

Bowery Poetry Club Sunday May 11 1pm Tickets $15

Tuesday, October 01, 2013

Imaginary Bios of The Feminist Poets in Low-Cut Blouses

By popular demand (well, six people asked me), I am sharing my imaginary bios for the Feminist Poets in Low-Cut Blouses, read 9/28 at Tribes.

Amy King won the Golden Globe for best leading role in the film version of I Am the Man Who Loves You. In September 2013, the artificial intelligence app she designed became self-aware when Goodreads, the Poetics List, and the Wompo group merged into a blog named Alias, which promptly took over the world and inherited a tidy sum to boot. According to Vida statistics, Amy is the poet most admired by female writers under 90. Amy is currently working on her memoir entitled John Ashbery Blurbed Me.

In 2013, Alexander Cigale translated War and Peace into Bashkir, the complete works of Osip Mandelstam into Chuvash, and 147 asemic poets from Smolensk into Old English. He is a professor at 14 Eurasian universities and is the translation editor for the Antioch Review, the Atlantic Review, the Antediluvian Review, and the Antidisestablishmentarian Review. In 2014, Alex plans to translate everything that begins with B.

According to the Boston Review, Sarah Sarai has a Beard of Bees, but sources at Literary Lambda say that this has not come out yet. In 2012, twelve people died of joy listening to her poetry. Sarah's poetic ear has been insured by Lloyd's of London for three million dollars. According to sources close to the poet, Sarah "writes what she likes."

Tim Trace Peterson is the editor of 19 prestigious journals, included EEE, and Agh, and e-i-e-i-o. Trace is the winner of four consecutive awards Transubstantiation Awards for enlightened poetic sensibility and best hair at a reading. A popular instructor of graduate students in literature, Trace has actually been known to demand equal pay for equal lecturing, which has earned Trace the nickname Third Wave Joe and Anita Hill. Trace's followers espouse Trace's radical thinking, which says people have the right to be who they want to be

Patricia Spears Jones is a Rhodes Scholar best known for her work on the ecology of the White Pine. In 2013, Patricia attended 4,827 readings in the New York City area, 4,826 of them as a featured reader. Patricia is known as Arkansas's sole cultural resource, and has received the Marx Award for best dactyl, the Veblein Award for assonance, Jeremy Bentham Award for Hidden Meaning, and three grants from the Society of Slant Rhymes. She will anthologize this reading.

Elizabeth Macklin won an Amy Lowell Traveling Poet Award, which she used to live among the Romani in Czechoslovakia, who consider the poet semi-divine. At the New Yorker, Elizabeth was used as an arbiter of taste, with the famous Macklin "no way, Jose Brodksy" being the final word on poetic acceptance. A strict editor of her own work, Elizabeth has been known to discard a book-length poem for one bad iamb. Currently, Elizabeth teaches songbirds to sing.

Dana Golin fled Tashkent when her cover as an university professor was blown and she was discovered to be leaking sensitive Uzbek intelligence to Wikileaks. Here in the United States, she is primarily known as a psychic who channels unpublished work of Anna Ahkmatova for literary circles. As a poet, she is best known by the moniker "Brodsky's kid sister." In 2014, she will teach the city of Hoboken Russian.

Audrey Roth is a poet who writes her work on baseball cards; informed sources say that her verse led the Miracle Mets to victory in 1969. Her friends wonder whether she is a mother or a lawyer, or a mother of a lawyer. A yoga practitioner, Audrey often stands with arms akimbo. It is said that Hilary is looking at Audrey for Vice President, or possibly just for vice. Audrey enjoys running with bulls and plugging dykes.

Susan Lewis is a poet and psychiatrist with a practice focusing on disturbed haberdashers. Sources close to Susan say she is responsible for curing the otolith issues of over three thousand experimental poets. Her additional expertise is in being another poet and in giving state of the union addresses. Friends posit that Susan will have edited 800 online journals by 2015.

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