Daily Art Source review of Medusa's Country
Showing posts with label Chris Mansel. Show all posts
Showing posts with label Chris Mansel. Show all posts
Wednesday, August 10, 2016
Monday, March 03, 2014
My Foreword to Shadows of the Future: An Otherstream Anthology, edited by Marc Vincenz
Foreword and Forewarned
There is, as Bob Grumman termed it, the knownstream; then there is the otherstream, a raging subterranean river of literary lava. It bursts through to an unsuspecting public in Warholian, beat, and Dadaesque and Sadean eruptions— a few readers live to tell the tale and the rest never know what hit them.
Welcome to Shadows of the Future. Here you have Chris Mansel and his he/she serial killers, Marc Vincenz's Swiss-Chinese eyes, Sheila Murphy ripping zen a new one, C. Brannon Watts with blood in his mouth, mIEKAL aND's Unglish, Annie Pluto's words entwined like lovers, Camille Baco's spare music, Marie-Marcia Casoly's fleshy skeletons, John M. Bennett's muy orthography, Sarah Sarai's mellifluous light, and Joani Reese's evanescence. Carol Novack calls from from the other side and Jack Foley calls from any coast he wants. Jeffrey Side's words looks knowlingly upon the festivities, Jukka-Pekka Kervinen's poems pulse like his recordings, and Susan Lewis's pivots the prose poetics at impossible new angles.
And there are more of us, of course, because Otherstream is more, even de trop, or monk minimalist, as it wants. Ask Jake Berry, who rules our online haunts like a happy Pluto handing out inheritances.
Yes, we are legion. Like it.
Otherstream is where every significant literature was born, midwifed by a writer who asked, looking at a new syntax and/or semantics, how can I write like that, never worrying about the may. Like all poets, but perhaps more extreme, we seek the new perspective, though our sense, sounds, and sentences, broken or not.
Ask me: May we write this way? Try to stop us
-Larissa Shmailo
There is, as Bob Grumman termed it, the knownstream; then there is the otherstream, a raging subterranean river of literary lava. It bursts through to an unsuspecting public in Warholian, beat, and Dadaesque and Sadean eruptions— a few readers live to tell the tale and the rest never know what hit them.
Welcome to Shadows of the Future. Here you have Chris Mansel and his he/she serial killers, Marc Vincenz's Swiss-Chinese eyes, Sheila Murphy ripping zen a new one, C. Brannon Watts with blood in his mouth, mIEKAL aND's Unglish, Annie Pluto's words entwined like lovers, Camille Baco's spare music, Marie-Marcia Casoly's fleshy skeletons, John M. Bennett's muy orthography, Sarah Sarai's mellifluous light, and Joani Reese's evanescence. Carol Novack calls from from the other side and Jack Foley calls from any coast he wants. Jeffrey Side's words looks knowlingly upon the festivities, Jukka-Pekka Kervinen's poems pulse like his recordings, and Susan Lewis's pivots the prose poetics at impossible new angles.
And there are more of us, of course, because Otherstream is more, even de trop, or monk minimalist, as it wants. Ask Jake Berry, who rules our online haunts like a happy Pluto handing out inheritances.
Yes, we are legion. Like it.
Otherstream is where every significant literature was born, midwifed by a writer who asked, looking at a new syntax and/or semantics, how can I write like that, never worrying about the may. Like all poets, but perhaps more extreme, we seek the new perspective, though our sense, sounds, and sentences, broken or not.
Ask me: May we write this way? Try to stop us
-Larissa Shmailo
Friday, September 27, 2013
Otherstream Anthology, Shadows of the Future, now available as a free e-book!
I am thrilled to have my poems "Oscillation," "Shore," and "Williamsburg Poem" appear in the new anthology of the Otherstream writing group, Shadows of the Future, edited by Marc Vincenz and published by Jeffrey Side of The Argotist Online. I'm especially pleased to have three collaborations with Chris Mansel, written on Facebook, included in this book.
The anthology is free and you are welcome to disseminate widely and wildly.
http://www.argotistonline.co.uk/SHADOWS%20OF%20THE%20FUTURE.pdf
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