Showing posts with label Trace Peterson. Show all posts
Showing posts with label Trace Peterson. Show all posts

Wednesday, October 03, 2018

Tuesday, August 28, 2018

All-Star Women Poets Read to Benefit Democratic Women Candidates


For immediate release
Contact: Larissa Shmailo 
212-712-9865

ALL-STAR WOMEN POETS READ TO BENEFIT DEMOCRATIC PARTY 9/29
Women poets read in support of Democrat women candidates

Cornelia Street Café
29 Cornelia off Bleecker
Greenwich Village, NYC
Saturday, September 29, 6:00 – 7:15 pm
$20 cover / $10 minimum

New York City — On September 29, as part of the global 100 Thousand Poets for Change initiative, seven leading New York City women poets will read to benefit the Democratic National Committee’s (Democrats.org) midterm election efforts. Proceeds will be earmarked for the campaigns of progressive women candidates and candidates in battleground states.
All-Star Women Poets Read will feature Lee Ann Brown (In the Laurels, Caught; Polyverse); Elaine Equi (Ripple Effect: New and Selected Poems; Sentences and Rain); Rachel Hadas (“The Golden Road”; The Iphigenia Plays of Euripides - New Verse Translations); Patricia Spears Jones (A Lucent Fire: New & Selected Poems; Painkiller); Trace Peterson  (Troubling the Line: Trans and Genderqueer Poetry and Poetics; Collected Poems of Gil Ott); and Larissa Shmailo (Patient Women, Medusa’s Country), led by mistress of ceremonies Maggie Balistreri (The Evasion-English Dictionary Expanded Edition; A Balistreri Collection: abc poems).
All-Star Women Poets Read will celebrate the growing role of women in political leadership today and send a message of #neverTrump to Republican anti-women agendas.  Voter registration information and volunteer opportunities to help Democratic midterm candidates will be distributed at the reading and a special message of support from district Congressman Jerrold Nadler will be read.
All-Star Women Poets Read is part of the eighth annual global event, 100 Thousand Poets for Change (100TPC), a nonprofit, grassroots organization which brings communities together for sustainability and peace. This year’s events involve nearly 2,000 individuals and organizations and include a special initiative among families and in classrooms, “Read a Poem to a Child,” to highlight the importance and vulnerability of children.       
All poems read at All-Star Women Poets Read and 100TPC will be archived at Stanford University.
For more information, contact Larissa Shmailo (All-Star Women Poets Read) at 212-712-9865 or Michael Rothenberg (100TPC) at 305-753-4569.

Tuesday, August 01, 2017

Three poems in Eoagh

I am delighted to have THREE POEMS IN EOAGH. Thanks to editor/publisher Trace Peterson!

Clad, Clawed, Clandestine Eagly Pig
E
I
I
id
eye:
Lie as
eyes lie, I.
Delineating it,
disentangling inclines
in lies; incidentals cast a delicate sign.
Cling in line, eyeing diligent penalties, laws, claws: it’s eyes in lies.      
Anteceding id, laws distancing I, clasping ties, inspecting id, an eye, a lie; all ID, and stenciled, penciled eyes.
 
Anna Karenina
 
Oh, Merezhkovsky, she was a mare
too good for her rider; a man bare
of fine temperament, riding her hard,
playing her roughly, like a cheat’s card,
leaving her broken.
Vronsky, sad: beauty was given you, cad.
And you lived like a man only because of her,
you, a creature dead in soul, and she, you cur,
destroyed, no longer fit to ride:
You might have loved her still, your bridle bride.
 
Razors
 
Raze, or craze (he, her):
Says he? Misogyny
is craze (he) makin’
yours for the takin’
or not to put up with
mop or sop up with.
Deter-gent. She-esh.
 
Larissa Shmailo is a poet, translator, novelist, editor, and critic. Larissa’s poetry collections are Medusa’s Country, #specialcharacters, In Paran, A Cure for Suicide, and Fib Sequence. Her poetry CDs are The No-Net World and Exorcism and her new novel is Patient Women. Larissa’s work appears in Measure for Measure (Everyman’s Library/Penguin Random House), Words for the Wedding (Perigee/Penguin Putnam), Contemporary Russian Poetry (Dalkey Archive Press), Plume, Fulcrum, Journal of Poetic Research, Jacket, Jacket2, and others journals. Larissa translated Victory over the Sun by Alexei Kruchenych for the Los Angeles County Museum of Art’s celebrated reconstruction of the first Futurist opera; the text has been used for productions at Brooklyn Academy of Music, the Smithsonian, and the Garage Museum of Moscow. Larissa also edited the anthology Twenty-first Century Russian Poetry and has also been a translator on the Russian Bible for the American Bible Society. 

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